By Jeff Harris | Ron Paul Institute | October 28, 2020 Ever since the alleged pandemic erupted this past March the mainstream media has spewed a non-…Nine Covid Facts: A Pandemic of Fearmongering and Ignorance
“Two things are infinite: the universe and human stupidity; and I’m not sure about the universe.” (Albert Einstein) I invite everyone to take a few …Institutionalized stupidity
I came across these Harleys walking the back streets of Las Vegas late last year and the light was right..
Camera: Olympus 35sp
Dev: HC110 semi stand
I was lucky enough on my last visit to Nassau to engage in one of my favorite activities- roaming the streets camera in hand. Nassau has many old buildings full of character (and bright colors that you can’t appreciate from these photos but I will put a couple iPhone snaps below as well). People are pretty friendly and will often say hello on the street. There is a lot of investment in luxury hotels however many of the buildings in the city itself are falling apart.
I took along my trusty Olympus 35sp and a couple rolls of Arista EDU that I have been bulk loading. I still have a ton of these to go and it’s not my favorite but it is reasonably priced. The photos would have benefited from a yellow filter (I forgot), and in a couple cases where I was photographing in the distance a polarizer would have helped. I will try and find a polarizer in this size (49). I have neglected filters for the most part and generally use just a yellow, or skylight to protect the lens, or nothing at all, so this could be a fun diversion.
I recall that this film works well with Cafenol developer. Since using Cafenol so much in the past I have gotten into the habit of pushing film since it works so well with that developer. These photos I shot at ei200, and no doubt I could have gotten better results closer to film speed. After printing in the darkroom I will have a better idea.
iPhone 8 plus
“Sign, sign, everywhere a sign, blocking up the scenery breaking my mind..” (5 Man Electrical Band)
Camera: Agfa Isolette
Film: Fuji Acros
Dev: HC110 dilution E
The similar white hair and white clothing of this couple caught my eye while waiting for a train. The brightness together with slight blurring (looks a bit like flare I don’t think it is lens still seems to be performing well in other photos) makes it look a little bit super natural to me.
Camera: Olympus XA
Film: Arista EDU 100 (shot at 200)
Dev: HC110 dilution B
Camera: Leica 3f/summitar
Film: HC110/semi stand development
There was a homeless fellow that used to have a little used book and magazine stand on the corner up the street. Most books were a dollar or two. Mostly he got them from donations either at his stand or people would give them to him outside of Powell’s. I got a couple good ones from him. He was an interesting guy and I could tell he had a sense of humor about politics. Well he got kicked out of his spot there and who knows where he is now.
This was taken last summer, and it reminds me how long this latest Red Scare has been going on in the media. It’s relentless. I don’t even watch network news most days, but it’s all around us, on the radio, on the internet news sites, and on the magazine and newspaper stands. Of course you couldn’t say Putin was a good guy before Trump was elected, but the media didn’t direct nearly as much attention at him as compared to now. People forget how much our media dictates what we see and what they want us to think is important. Still, it is surprising to me that some people lose their critical thought to jump onboard just because they hate our president so much. There were so many issues people were focussed on improving in this country while Bernie was running just a short time ago (and before that), and none were about Russia. Now, it is just Trump and Russia. And fake news because that is part of it too. It helped spread the evil and contaminate our souls. Turned us into mindless patsies for Putin. Print and television media is more sophisticated than ever, and never has it been controlled by so few. Competition is coming from the internet, thankfully, and there are still some good journalists out there, however this too is under attack and anything that contradicts their narrative is in danger of being labelled as fake news, with efforts underfoot to protect our fragile minds from its content- thus giving “official” sources full control. I’m a cynic and a skeptic I know, but I have good reason to be. I have read a lot of good books, talked to interesting people, and have always tried to learn from what I see.
There are very good books I have read by the way that give many historical examples of the manipulation employed:
Media Control, by Noam Chomsky
All of Chomsky’s books (that I have read anyway), give examples of a biased and complicit media, however this one is the most specific and concise I think.
Propaganda , by Edward Bernays
This is the modern propaganda “bible”.
The People’s History of the United States, by Howard Zinn
Zinn’s book while not focussed on media per se, nevertheless gives examples in history where our respected media ignored events, downplayed them, spun them as something different, or went along with the official story which was a untrue. The fact that we know very little about most of the events in this book , or know a different story, says it all.
Sorry about delving into politics, but I guess you could say that photography for the most part cannot be separated from it;-)
I walked around Miami a bit while waiting for a flight the next day. I walked from the Airport area to the Civic Center. It didn’t seem that far on my phone.. My feet were black from the rubber coming off my flip flops, and I was developing a nice blister. Didn’t come across anyone on the sidewalks. Not many people about. Seems like no one walks in that city. Well, I didn’t walk in the glitzy areas where everyone goes. Feels about as far away from Portland as you can get.
Dev: HC110 semi stand 50 min
I finally got a scanner again- a Canon 9000F, the same one I had in Japan. So now I can start scanning my negatives that have piled up over the last couple years.
I think the second photo is stronger due to the composition, but both captured the quality I saw that day on the drive out to Central Oregon. I will see how this prints out after summer when hopefully I can get into a darkroom again.
Dev: HC110 Semi-Stand 50 min/68F
That was someone’s question on one of the wonderful video demonstrations by master woodworker Paul Sellers. In the demonstration Mr. Sellers uses a square, a pencil and a chisel to make a mortise and tenon. Mr. Sellers calls himself a lifestyle woodworker, and has his shop in Penrhyn Castle in North Wales where he gives demonstrations and apprentices a few people every year. In addition to teaching how to make furniture, he teaches how to make your own tools, such as a rabbet plane, how to sharpen your chisels or re-tooth an old saw blade. His pieces are in the United States White House Collection. He uses a handsaw made in the 1700’s. How cool is that?
Well that simple (and lazy, albeit humorous) one word question, “Why?” got me thinking. Why should you work with your hands taking three or four, or maybe ten times longer for each mortise and each tenon, and each dovetail until weeks, or maybe months later you have a piece of handcrafted furniture made by you, when if you just bought a dozen or so power tools and a shop, you could turn it out much quicker and with much less effort? Better yet, why not just shop at a furniture store in a couple hours (or a few minutes online) for less than a fraction of those power tools? Why just get one piece, when nowadays with how cheap the stuff is from China you can probably buy a set for the whole house at IKEA? Who cares, when you move just throw it out.
There is the obvious that we have way too much cheap stuff that we don’t really need, as well as the environmental aspect, but there is another. Our Cheaper Faster More is often made in deplorable conditions that we publicly condemn, yet support with our dollars. Even where the working environment is clean and safe, there are other consideration such as the grey line between free choice and that of wage slavery. I recommend checking out some of the interesting photographs of factories in China by Edward Burtnynsky to get an idea.
I see a similarity with woodworking and photography. Mr. Sellers is using tools over 100 years old, many of which will keep working for generations into the future. Film photographers everywhere are using cameras forty, fifty, and even 100 years old. Meanwhile the scrap heaps are full of plastic electric tools and plastic digital cameras made only a few years ago. Mr. Sellers is lovingly and painstakingly making beautiful furniture that will last, and enjoying taking the time to do it. Film photographers are lovingly and painstakingly taking the time to make beautiful photographs (well, hopefully to the photographer at least..). And more importantly, enjoying it.
P.s. You can see Paul Sellers’ website here.
USA Today and old banana (the banana isn’t fake), Portland Oregon. Leica IIIf / Summitar 5cm